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“Seventies Mama”
Installation of 13 various drums in various sizes,
Price on request
Seventies Mama is a tribute that celebrates the style of my mom when she was a young mother in the 1970’s. A series of drums made from jackets, rabbit fur dyed in a seventies aesthetic, and fringe stretched across drum frames. These drums are both tribute and portrait of my birth mom Theresa. – Michelle Sound
Michelle Sound is a Cree and Métis artist, educator and mother. She is a member of Wapsewsipi Swan River First Nation in Treaty 8 Territory, Northern Alberta and she was born and raised on the unceded and ancestral home territories of the xʷməθkwəy̓əm (Musqueam), Skwxwú7mesh (Squamish) and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) Nations.
She holds a Bachelor of Fine Arts from Simon Fraser University, School for the Contemporary Arts, and a Master of Applied Arts from Emily Carr University Art + Design. Michelle is currently an Indigenous Advisor at Douglas College. She is a multidisciplinary visual artist and her art practice includes a variety of mediums including photo-based work, textiles, painting and Indigenous material practices. Her artwork often explores her Cree and Métis identity from a personal experience rooted in family, place and history.
She works with traditional and contemporary materials and techniques to explore maternal labour, identity, cultural knowledge, and cultural inheritances. Public art pieces include a utility box art wrap (City of Vancouver), street banners (City of New Westminster) printed Transit shelter mural and a painted mural at Ociciwan Art Centre (Edmonton) She has had recent solo exhibitions at Neutral Ground ARC (Regina), Daphne Art Centre (Montréal), Alternator (Kelowna), Gallery 101 (Ottawa), Burrard Arts Foundation, and Seymour Art Gallery (Vancouver).